Famous for his lack of patience with the interview process he opens up about the art of creativity, his own musical journey from his classical roots, arriving in New York in the early sixties where he met a number of influential composerslike John Cage who in 1963 he created the 18-hour and 40 minute piano-playing marathon that was the first full-length performance Eric Satie’s ‘Variations’. During this period, he also played in composer La Monte Young’s ‘Theatre of Eternal Music. One of his collaborators on these recordings was the future Velvet Underground guitarist Sterling Morrison. He then
hooked up with Andy Warhol, Lou Reed and the Velvet Underground. He talks about the atmosphere around that famous period and Andy Warhol’s vision, band life and Nico and his own post-Velvets solo career. It’s a long and fascinating trip and makes for a great interview with one of the go to architects of just what is possible in music and how far the boundaries can be pushed.
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